Paul Beston, a producer of the NPR program "Bridges" describes how his show, intended to provide the audience with points of view from both sides of the spectrum, ended up significantly influencing his perceptions about conservatives in general and and his ideological beliefs in particular.
It quickly became clear that my understanding of conservatism was a cartoon. The writers took perfectly reasonable positions and argued them with eloquence. Always, there was the sense of limits to what one could hope for — and the warning that taking action could make things worse instead of better. After my years in the fervent environs of the left, the sober skepticism of the conservatives was very appealing. I couldn't help but think that many of my fellow liberals had, like me, assiduously avoided coming in contact with their arguments. That was easy to do in New York City.
None of these squared with my superficial view of the right — on culture, as prudes and scolds who didn't really care for the arts anyway; on history, as blithely indifferent to human suffering; and on communism, as rabid and paranoid.
Hat Tip: Ed Driscoll